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The Dobro is often included in bluegrass band formats today as a result. When Earl Scruggs and Lester Flatt formed their own group, The Foggy Mountain Boys, they decided to include the resophonic guitar, or “Dobro,” into their band format. Equally influential in the classic 1945 line-up of the Blue Grass Boys were Lester Flatt, from Sparta, Tennessee, on guitar and lead vocals, Chubby Wise, from Florida, on fiddle and Howard Watts, also known by his comedian name “Cedric Rainwater,” on acoustic bass. Scruggs played an innovative three-finger picking style on the banjo that energized enthusiastic audiences and has since come to be known as “Scruggs style” banjo. While many fans of bluegrass music date the genre to 1939, when Monroe formed his first Blue Grass Boys band, most believe that the classic bluegrass sound came together late in 1945, shortly after Earl Scruggs, a 21-year-old banjo player from North Carolina, joined the band. After experimenting with various instrumental combinations, Bill settled on mandolin, banjo, fiddle, guitar, and bass as the format for his band. Vocal selections included duet, trio, and quartet harmony singing in addition to Bill’s powerful “high lonesome” solo lead singing. The music incorporated songs and rhythms from string band, gospel (black and white), black laborer work song, country, and blues music repertoires. Bill’s band was different from other traditional country bands because of its hard-driving and powerful sound that used traditional acoustic instruments and featured distinctive vocal harmonies. Bill was a native of Kentucky, the Bluegrass State, so he decided to call his band “Bill Monroe and the Blue Grass Boys,” and this band started a new form of “traditional” country music.īill Monroe and his “Blue Grass Boys” first appeared on the Grand Ole Opry stage in 1939 and soon became one of the most popular touring bands to emerge from Nashville’s WSM studios. When the brothers split in 1938, both went on to form their own bands. Charlie Monroe played the guitar, Bill played the mandolin, and they sang in harmony. The Monroe Brothers were one of the most popular acts of the 1920s and 1930s. This type of music was called “mountain music” or “country music.” The invention of the phonograph and the onset of the radio in the early 1900s brought this music out of the mountains and into the homes of people all over the United States.
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Since most of these people lived in remote areas, the songs reflected life on the farm or in the hills. As the Jamestown settlers began to move out into North and South Carolina, Tennessee, Kentucky, Virginia, and West Virginia, they wrote songs about day-to-day life in the new land. The people who migrated to America in the 1600s from Ireland, Scotland, and England brought with them the basic styles of music that are generally considered to be the roots of bluegrass music as it is known today. Bluegrass music heard across the southern United States finds its roots in Ireland and Scotland.